My work is influenced by the sociological shift in the communities that originally were built around industry and the remnants of places that no longer exist. There is something hauntingly beautiful in the textures of an abandoned, derelict building, which evoke memories and pose questions about past inhabitants and present conditions. I employ traditional and non-traditional printmaking techniques, including photography, silk screen, and gum bichromate. The process of making a print intrigues me because it is that which remains when the plate or screen is removed. In this way, I think of the creative process as a reflection on the transience and impermanence of life.